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Jerry’s Artarama of Arlington, TX

4802 Little Road,
Arlington, TX

Mon-Sat:10:00 AM - 7:00 PM

Sun:11:00 AM - 5:00 PM

817-803-2755

Jerry's Artarama of Austin, TX

6010 N Interstate Hwy 35,
Austin, TX

Mon-Sat:10:00 AM - 7:00 PM

Sun:11:00 AM - 5:00 PM

(512) 420-9359

Jerry's Artarama of Dallas, TX

12817 Preston Rd,
#128
Dallas, TX

Mon-Sat:10:00 AM - 7:00 PM

Sun:11:00 AM - 5:00 PM

(972) 803-5664

Jerry's Artarama of Houston, TX

2201 Taylor St,
Houston, TX

Mon-Sat:10:00 AM - 7:00 PM

Sun:11:00 AM - 5:00 PM

(832) 237-6070

Jerry's Artarama of Oklahoma City, OK

5517 N Pennsylvania Ave,
Oklahoma City, OK

Mon-Sat:10:00 AM - 7:00 PM

Sun:11:00 AM - 5:00 PM

(405) 849-9148

Jerry's Artarama of Raleigh, NC

3060 Wake Forest Rd,
Raleigh, NC

Mon-Sat:10:00 AM - 8:00 PM

Sun:11:00 AM - 5:00 PM

(919) 876-6610

Jerry's Artarama of San Antonio, TX

7059 San Pedro Ave,
San Antonio, TX

Mon-Sat:10:00 AM - 7:00 PM

Sun:11:00 AM - 5:00 PM

(210) 366-0719

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Ampersand Aquabord Panels

Aquabord keeps colors vibrant and pure, mimicking cold-pressed paper but allowing easy lifting and r...Learn More

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    • Description

    Reimagine Watercolor with a Surface That Does More

    Ampersand Aquabord is a revolutionary alternative to traditional watercolor paper, offering a textured clay surface that absorbs color like cold press paper but with the resilience of a rigid panel. Its acid-free coating allows watercolor to remain vibrant and luminous, while the durable surface lets you lift and rework pigment repeatedly without damage. Whether you're glazing, layering, or creating bold washes, Aquabord supports expressive techniques with unmatched control and brilliance.

    Unlike traditional paper, Aquabord doesn’t warp, tear, or buckle—even with heavy water use. The rigid Hardbord core and optional cradled edges make it ideal for plein air work and glass-free framing. Trusted by watercolorists, gouache painters, and mixed media artists alike, Aquabord transforms your watercolor process into a more dynamic and lasting experience.

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